Vitrum is the latin word for both glass and the woad plant, yielding indigo.

Colour is an immaterial phenomenon. It is generated by our senses through seemingly paradoxical mechanisms of reflection and absorption of light. When we modify material to appear colourful this volatility becomes very tangible.

From the Egyptians to the “barbaric” Celts, blue has a history of its own. But if it weren’t for the acceptance of blue by Christian religion, neither the cobalt blue stained glass windows of the Basilica of Saint Denis nor the altarpiece of Van Eyck would exist as we know them today.

As an installation, Vitrum is designed to materialise the colour and significance of some of the most important moments in the history of blue. Similar to a painter’s canvas, glass sheets are suspended to depict each portrait. Vitrum is realised by WonderGlass in partnership with Studio Plastique  using carefully crafted cast glass; vitrifying the colour, to become alive only when exposed to light.

Vitrum was commissioned by the Design Museum Ghent for the exhibition Kleureyck, Van Eyck’s Colours in Design, 2020